FAQ
Why Most Artists Are Trained for a World That N...
Why art education still prepares artists for outdated institutions—and how today’s art world actually functions beyond legacy pathways.
Why Most Artists Are Trained for a World That N...
Why art education still prepares artists for outdated institutions—and how today’s art world actually functions beyond legacy pathways.
What Art History Leaves Out on Purpose
Art history isn’t neutral. Why entire practices are omitted, how institutions shape memory, and what exclusion really means for artists today.
What Art History Leaves Out on Purpose
Art history isn’t neutral. Why entire practices are omitted, how institutions shape memory, and what exclusion really means for artists today.
Why Medium Still Matters in Contemporary Art
Why medium still shapes meaning in contemporary art. How material choices affect interpretation, preservation, and institutional legibility.
Why Medium Still Matters in Contemporary Art
Why medium still shapes meaning in contemporary art. How material choices affect interpretation, preservation, and institutional legibility.
Why Most Great Artists Were Invisible in Their ...
Why many of history’s greatest artists were ignored in their lifetime, and how innovation often outpaces institutions, recognition, and cultural language.
Why Most Great Artists Were Invisible in Their ...
Why many of history’s greatest artists were ignored in their lifetime, and how innovation often outpaces institutions, recognition, and cultural language.
The Myth of the “Important Artist”
Why “important artists” aren’t born but constructed. How institutions, archives, and documentation shape artistic legitimacy over time.
The Myth of the “Important Artist”
Why “important artists” aren’t born but constructed. How institutions, archives, and documentation shape artistic legitimacy over time.
Documentation Is Not Secondary to the Artwork
Documentation isn’t secondary to art, it’s how art survives. Why records, context, and institutions determine what endures in cultural history.
Documentation Is Not Secondary to the Artwork
Documentation isn’t secondary to art, it’s how art survives. Why records, context, and institutions determine what endures in cultural history.